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CRDBAG GRID DIVIDE — Modular Divider System for Hard Cases (Announced)
CRDBAG’s GRID DIVIDE is a new modular divider ecosystem for hard cases that replaces foam with a reusable, reconfigurable grid. Built from 900D ballistic nylon with reinforced seams and high‑density padding, the panels Velcro together into rigid layouts that won’t collapse in transit. Compatible with popular models like the Pelican 1510/1535, HPRC 2500/2600, and Nanuk…
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M5 MacBook Pro — Why Editors & Filmmakers Should Care (2025)
The new 14‑inch M5 MacBook Pro delivers a meaningful speed bump where it counts for post‑production: a next‑gen GPU with a Neural Accelerator in each core, faster multithreaded CPU performance, higher unified memory bandwidth, quicker SSDs (now configurable to 4TB), and the same XDR display with a nano‑texture option. For editors and filmmakers, that translates…
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ARRI ALEXA 265 — Large-Format Cinema Camera Overview
ARRI ALEXA 265 — Large-Format Cinema Camera Overview ARRI’s ALEXA 265 brings the signature 65 mm large-format look into a much smaller, more versatile body. Think big-format presence, updated color science, a smarter ND cartridge system, and real production agility for gimbals, remote heads, and fast builds—without abandoning the reliability DPs expect from ALEXA. Jump to: Overview
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Pixboom Spark – Affordable High-Speed Camera Shoots Over 2,000 fps
The Pixboom Spark is an affordable high-speed cinema camera that breaks away from the traditional limitations of ultra-expensive rigs. Featuring a Super 35 BSI global-shutter sensor, continuous RAW recording, and frame rates exceeding 2,000 fps, it brings lab-grade performance to filmmakers at a fraction of the cost. With a Kickstarter launch and deliveries expected in…
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SmallHD Vision 24″ — Why This Pro Monitor Still Dominates in 2025
Released several years ago and still a go‑to in 2025, the SmallHD Vision 24″ remains one of the most trusted 24‑inch 4K professional monitors for set, DIT, and finishing bays. Between its robust build, color‑critical toolset, and ecosystem support, it continues to earn a spot on high‑end commercial and narrative sets.
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Tilta Nucleus‑M II — Next‑Gen Wireless Follow Focus (Now at B&H & Amazon)
The Tilta Nucleus‑M II brings a meaningful leap in wireless lens control for 2025 — smoother microfocus, lower latency, tunable motor torque, and a rugged modular design that suits cinema rigs, gimbals, and hybrids. Here’s how it performs on real sets, what early users are saying, and where to get it.
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Blazar Beetle 1.33× Anamorphic Lenses — Pre‑Order Now on B&H (Shipping Soon)
Blazar’s Beetle 1.33× anamorphic lenses are now up for pre‑order at B&H Photo with shipping soon. We cover key features, pricing for 27/35/50mm and the 3‑lens set, mounts, early real‑world impressions, and how Beetle compares to other affordable anamorphics for mirrorless shooters.
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Blackmagic PYXIS 12K — The Next Evolution in Ultra‑High‑Resolution Cinema
The Blackmagic PYXIS 12K is a groundbreaking 12K cinema camera designed for professionals who demand unparalleled resolution, color depth, and workflow flexibility. We explore its specs, real-world impressions, and why it stands out as a future-proof choice for filmmakers in 2025.
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LG UltraFine 32U990A-S 6K HDR Monitor — Can It Rival Apple’s Pro Display XDR?
Editors, colorists, and DITs finally have a 31.5″ 6K HDR option that challenges Apple’s Pro Display XDR without the price pain. We cover Nano IPS Black contrast, 6K pixel density, HDR600 limits, hardware calibration, Thunderbolt 4 workflows, and a head‑to‑head spec table with the XDR to help you choose.
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Canon C500 Mark II in 2025 — Is the $5,499 Price Drop a Smart Buy?
The Canon EOS C500 Mark II remains a capable full-frame cinema camera in 2025. It pairs Canon’s color science with internal 5.9K RAW, a modular body, and a deep Cinema EOS ecosystem. While newer cameras boast next-gen codecs and AI conveniences, the C500 Mark II still delivers a classic, production-proven image that DPs trust.
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Dehancer for DaVinci Resolve — The Film Emulation Suite That Actually Feels Analog
Dehancer is an OFX plugin suite for DaVinci Resolve that models the behavior of analog film from capture to print. Unlike one‑click LUT packs, Dehancer gives you procedural film profiles, realistic grain derived from optical models, halation, bloom, print film stock choices (e.g., Kodak 2383, Fujifilm Eterna), camera log profiles, and utilities like a LUT…
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CRDBag Pouches — The Ultimate Camera Gear Organization System
CRDBag pouches are purpose‑built for filmmakers, photographers, and production crews who need fast, repeatable ways to organize small but mission‑critical items: cables, adapters, batteries, filters, tools, media, lav mics, and more. Instead of a single “junk drawer” pouch, CRDBag is a modular system that lets you pre‑build sub‑kits and drop them into any case or…
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ARRI ALEXA 35 Sees Major $18,500 Price Drop — Still a Dominant Force in 2025
ARRI has once again made headlines — this time with a massive $18,500 price drop on select ALEXA 35 camera sets. As one of the most widely used digital cinema cameras in the world, the ALEXA 35 continues to dominate high-end productions even years after its release. This new pricing move makes it more accessible…
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SmallHD ULTRA 7 Bolt 6 TX 750 Monitor — Deal Zone Alert
SmallHD ULTRA 7 Bolt 6 TX 750 Monitor is in B&H Deal Zone for a limited time—daylight-bright 7″ touchscreen with integrated Bolt 6 TX for zero-delay wireless. Specs, impressions, and reasons to buy.
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DaVinci Resolve 20: The Modern Powerhouse Editor You Can’t Ignore
DaVinci Resolve has evolved from the industry’s color‑grading benchmark into a complete post‑production suite that now rivals (and often replaces) multiple apps. With Resolve 20, Blackmagic Design doubles down on performance, AI‑powered tools, and cross‑department workflows that keep editors, colorists, VFX artists, and sound teams in the same timeline.
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KONDOR BLUE Mini Lock Quick Release Plates — Black Edition
KONDOR BLUE Mini Lock Quick Release Plates (Black) — fast, secure quick-release for monitors, arms, mics and lights. Real-world impressions, reasons to buy, and B&H + Amazon links.
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Easyrig Vario 6 Announced at IBC 2025 — A Stepless Leap Forward for Camera Operators
At IBC 2025, Easyrig unveiled the Vario 6, a lighter, smoother evolution of the Vario line. Early hands-on reports point to stepless, on‑the‑fly tension adjustment, reduced friction in the arm mechanism, and an updated vest/spine aimed at lowering fatigue over long shooting days. The Vario 6 supports camera loads in the ballpark of 4–14 kg…
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Cooke Panchro 65/i — Classic Cooke Look Scaled for Large Format (Preorder Announcement)
Watch: First Look at Panchro 65/i Overview & Key Features Cooke has introduced the Panchro 65/i cine prime series, bringing the classic Cooke rendering—natural skin tones, gentle contrast, and pleasing fall‑off—into the world of large‑format cinematography. The new lenses support /i Technology metadata and are built for modern workflows while preserving the “Cooke Look.” Large‑format
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Sony Reveals 10K Global Shutter Large Format Sensor — A New Era in Cinematic Imaging
Overview & Key Features Sony is reportedly developing a groundbreaking 10K global shutter large-format sensor, poised to reshape how we think about digital cinema. Unlike traditional rolling shutters, this sensor offers true global shutter performance — eliminating motion distortion and skew artifacts entirely. With a large-format footprint, it promises the depth and aesthetics cinematographers crave,
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Approved Media for Blackmagic PYXIS 6K — Recommended CFexpress Cards
Blackmagic PYXIS 6K — Approved Media & Card Guidelines You Need to Know Why Choosing the Right Media Matters The Blackmagic PYXIS 6K is a high data-rate cinema box camera. To fully leverage its sensor, flexibility, and Blackmagic RAW workflows, your media choice isn’t optional — it can make or break reliability on set. Use
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Blazar Beetle 1.33X Anamorphic Cine Lenses — Now Available for Preorder
Overview & Key Features The Blazar Beetle 1.33X Anamorphic Cine Lenses are officially open for preorder, offering filmmakers an affordable way to achieve the classic anamorphic look. Designed for full-frame coverage with a 1.33X squeeze, these compact primes balance cinematic character with accessibility. Available focal lengths: 25mm, 35mm, 50mm 1.33X anamorphic squeeze ratio Super compact
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Sony’s New Macro Gem: The 100mm f/2.8 G Master Lens Announced
Overview & Key Features Sony has officially announced the FE 100mm f/2.8 Macro G Master OSS lens — a premium macro option designed for full-frame shooters. It offers sharp optics, creamy bokeh, and stabilization, making it versatile for both macro photography and cinema use. Full-frame FE mount coverage 100mm focal length with 1:1 life-size magnification
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Blackmagic PYXIS 6K — Modular Cinema Box Power in 2025
Overview & Key Features The Blackmagic PYXIS 6K is Blackmagic Design’s bold entry into the modular box-style cinema camera market. It combines a full-frame 36x24mm sensor with 6K Blackmagic RAW recording, robust connectivity, and a customizable form factor. In 2025, the PYXIS 6K is attracting both cinema and live production filmmakers for its versatility. Full-frame
Curating The Best Cinema Gear
Curating The Best Cinema Gear